What I learned from my pets passing

I learnt a long time ago that I sign up for grief the moment I bring my pets home, but I still do it anyway because I’m stupid with hope. And because, maybe, suffering for love is the only kind that makes sense.

I made the choice for what people would say: “play god” and end their lives. Twice. Once because a brain broke, once because a body did.

Phoebe – Jaga

And even if it was the kindest thing, it feels like I cheated the universe. It feels like power no human should have, because I have the power to decide, but not the power to be at peace with whatever the decision is, even if I decided not to do it.

I thought my heart would callous over. I was wrong. I learned that grief isn’t cumulative but singular. Each loss is its own flavour of hell and a fresh slap from the cosmos.

I learnt that my pets are not just pets but witnesses to my habits, my breakdowns, and my invisible days. And now that they’re gone, it’s like parts of my past were erased with them. Like some version of me, only they knew it, had died too.

I learnt that loving them never protected me from losing them. But losing them proves that I did love. And that’s a terrifying, beautiful, ridiculous thing.

But I also learned that what matter most are the mornings when they curled up next to me, the moments they looked at me as if to say, “I’m still here. For now. And that’s enough.”.

So I learned to hold those “for nows” tighter. To embrace the day, because some days, a purring body beside you matters more than whatever else you should be doing.

The Weight of Belonging and The Fragility of Home

On Saturday, I was at a photo festival in Naarden. It was excellent! Thank you, Alexandra, for taking me there!

I also liked the theme: Home.

These photos standing in the middle of the grassy fort are the two I really like.

Each image showed a complete living room setup, placed not inside a house or building but out on the streets at night. Rugs, couches, lamps, bookshelves, everything carefully arranged and staged, absurdly cosy, and entirely exposed.


A living room without walls

I stood there, trying to decide whether I found it beautiful, ridiculous, or painfully familiar. Maybe all of them?

I felt fascination because they were beautiful and bold. I felt resonance and sadness, because they mirror my efforts to build “a life” in places (or systems) that will never truly contain me. I also felt admiration because they show vulnerability and what comfort means in the middle of chaos.

For me personally, somehow, these photos feel more familiar than the exhibition where they display a lot of portraits of immigrants.

A False Sense of Shelter

Is this idea where safety dragged into public place, a home?

Is it still a home when placed outside the boundaries of safety?

Is “home” a space, or is it just the act of pretending we belong somewhere?

Can we really ever make a home in this transient, collapsing world?

For me, who has spent most of my life not feeling like I belong, a home is a fragile thing.

I ask myself a lot, what does it mean to belong when you always feel slightly misplaced, no matter where you stand, anyway?

I moved countries, rebuilt my life, and questioned systems, identity, and purpose. These photos hit too personal. Like an attempt I know too well.

No matter how much I don’t feel human, I am after all, a human. And the human needs to belong, to anchor meaning, in a world that offers no guarantees.

In so many ways, I now feel more “at home” here, among strangers, in a different language, than I ever did in my so-called home country, or even among family. And yet, that feeling doesn’t really sit in stone, it wobbles on shifting ground.

The feeling of belonging… will it ever come?

Or is it just another room I decorate in my solitude, knowing I may never stay?

So what and where is home, really?

Maybe home is something we build because the world is indifferent and won’t offer us one?

Maybe it’s an act of rebellion against impermanence? An absurd ritual we repeat, over and over, to insist that something can be ours, even in a world that never really belongs to us?

Maybe it’s the ache that reminds me that I’m  still searching?

Or the fragile peace that comes from accepting I might never fully arrive?

Anakin Was Right: Sand Is Coarse and Rough and Irritating.

Yes, I hate sand.

I also hate hot weather.


But I LOVE beaches.

I mainly like going to the beach because I like how multiple parts of the earth combine to manifest as a whole; it embodies nature’s duality. The beach is like a testament to life’s grand scheme, where contradictions blend like a waking dream.

I always feel like being at the beach invites contemplation.
For example, the shifting sands beneath our wandering feet remind us of life’s transient, ephemeral fleet.
And with each passing wave comes a moment of reflection on time’s flow and its relentless persistence.
The horizon’s endless merge of sea and sky hints at boundless possibilities, like a reminder of our own quest for expansion to seek and explore.


The beach teaches humility, and that’s a profound lesson.
As we witness nature’s vastness, it astounds.
It humbles my ego and reminds me of my place.

From the fragility of shells, weathered and worn, to the majestic power of storms, fiercely torn.
A beach is a fusion of chaos and serene tranquillity
It’s my canvas for introspection, a gateway to pondering life’s profound direction.

In the whispers of waves and the sand’s gentle sway, I find a sacred place where I’m reminded of my transient grace.

Lombok, 2023

Life is Short

Life is short they said.
While we perish, history licks a finger and turns the page.
While we vaporized quickly, the universe keeps laughing at its cosmic joke.
While we spark briefly, we’re all also flying at incredible speed into the endless darkness of the unknown.
But if life is really, really short, then why do some moments seem to flatten out into endless streams?